Blue Serge
A dark, mysterious work in a minor key, Blue Serge may bring to mind Black and Tan Fantasy
with its plagal cadences, mallet percussion, and use of pixie plunger mute combinations in the brass.
The theme is stated first by Ray Nance on trumpet, over a haunting trombone background. Like the introduction
(clarinet and two muted trumpets), many of the choruses have two floating bars, yielding lengths of six or
ten rather than multiples of four. The rich orchestration in the second verse show an astonishing
variety of colours and section work all in the space of ten bars, then followed by a 'vocal' trombone solo
from Joe Nanton. Ellington's piano and Ben Webster's tenor sax also feature, before a tremendous and
evocative full ensemble finale.
Blue Serge can employ either drum brushes or, for greater atmosphere at slower tempos, mallets.
The 2nd trombone solo requires the use of a pixie/plunger mute combination in the upper register,
in the fashion of Joe 'Tricky Sam' Nanton.
Refer to the Swing Notation page of the Notation Guide for more information. A trumpet
ensemble figure also requires the use of this mute combination.
Orchestration
| Reeds: |
A A T/Cl T B |
Solos: |
| Brass: | 3tpt 3tbn |
| Rhythm: | p b dr g |
| Vocal: | |
|
| 3rd trumpet |
| 2nd trombone (pixie/plunger) |
| piano |
| 2nd tenor |
|
Listening Guide
The following recording dates for Blue Serge have been issued on CD. Some editions may no longer be
available - please ask your favourite retailer.
| D.E. & his Orchestra 1940-1941 |
Classics |
837 |
1941-02-15 |
| The Complete Standard Transcriptions (1941) |
Soundies |
SCD 4107 |
1941-12-03 |
| Carnegie Hall Concerts Dec. 1947 |
Prestige |
2PCD-24075-2 |
1947-12-27 |
Price £35